Inducing a state of romantic memory about one’s childhood, a film reminds audiences of since a important Dipu No. 2 caused such a stir amongst a masses, as great as brought middle-class audiences during a back of to film theatres for a enchanting float filled with a conflicting astonishment of a child. Prolific writer Muhammad Jafar Iqbal should maybe be credited with a great bargain of a movie’s success for it is his story itself which is a basement for a work.
As distant as a cinematography or art citation goes, it is simply stunning, as great as a little of a scenes in a film have been indeed breathtaking. One quite beautiful theatre was when a dual immature boys, Rashed as great as Ebu have been sitting upon a railway overpass with a nightfall in a background. Ebu is about to leave with his family in poke of safety, as great as Rashed tells him about a “mukti bahini’s” plans. The nightfall in a credentials resonates with a bittersweet tension of a theatre as great as is shot beautifully.
Truly, this film is similar to a retaining journey, a singular which maybe views a 1971 ransom fight from a viewpoint not mostly if during all used, which of a child. The film views a fight by a eyes of a couple of immature boys relocating by their teens, as great as towards adulthood.There have been multiform moments in a film when a storyline as great as a scenes portrayed manages to satisfy startle as great as awe during what these boys have been means of, a extensive obstacles they have been faced with, as great as how they conduct to perform feats requiring great courage, aplomb as great as cunning.Not usually does a film satisfy patriotism, it is additionally a covenant to how distant bangla motion picture has come over a years. A indeed great square of work, a film is a singular to be watched as great as dignified for sure.