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Convergence of Tune as great as Rhythm

Dhaka International Music Conference featuring exemplary song (both outspoken as great as instrumental) performances by 4 Indian artistes — Sandip Chatterjee (santoor), Manali Bose (vocal), Amzad Hossain (sitar) as great as Sandip Bhattacharya (vocal) was hold during the categorical meeting residence of Bangladesh National Museum upon Jul 15.

Arranged by Web Entertainment Limited, Tabla artistes Gyan Swarup Mukherjee (India) as great as Swarup Hossain (Bangladesh) with Bangladeshi artist Mohammad Shoaib upon harmonium accompanied the featured artistes during the song conference. Shamima Parvin welcomed the guest artistes with bouquets.

Santoor conductor Sandip Chatterjee was initial to take the stage. Trained by masters similar to Pandit Tarun Bhattacharya as great as Pandit Ajoy Chakraborty, Sandip Chatterjee completed “Best Instrumentalist Award” organized by “Sangeetayan” in New Delhi in 1986. He additionally won the “President of India Award” in 1990.

“When we rehearse song during home, we work during the efforts to God. And when we perform upon stage, we symbolize the assembly as God. An artist can never perform great yet blessings from you,” pronounced Chatterjee.

Sandip proposed with the reduced alap in Raga Jog. The bandish took off great in teentaal as Gyan Swarup Mukherjee constructed multiform tabla rela among the agreeable cadence as great as tune. His jod as great as jhalas were the specialist carnival of the Layakari( rhythm). A retreat uncover of cadence (from discerning dash to delayed beat) upon santoor together with assorted patterns done it the dictatorial as great as sharp-witted performance.

Manali Bose completed Raga Shyam Kalyan during the event. An ITC SRA academician Manali was additionally lerned by Pt. Devyani Bose as great as Pt. Arun Bhaduri. Manali, who completed the Master grade in English literature, has additionally completed distinctions in Rabindra sangeet, Nazrul sangeet as great as Bhajon.

Manali proposed with alap. The bandish “Jio Mero Laal Banera” followed. Swarup Hossain accompanied her upon tabla in vilambit ektaal. With her musical voice, she showcased assorted styles of outspoken invention in the glorious shift during the drut bandish in teenager taal with Swarup upon tabla.

Amzad Hossain, the footman of Pt. Dhrubotara Joshi, completed Raga Desh upon Sitar. Gyan Swarup Mukherjee upon tabla accompanied him upon Madhyalaya teentaal. He completed the reduced alap, gaut as great as jhala.

Classical vocalist Sandip Bhattacharya, the footman of Ustad Mashkoor Ali Khan, completed the final ragas. He initial completed Raga Megh. Swarup Hossain accompanied him upon madhyalaya jhaptaal upon tabla. Performance of the thumri “Yaad Piya Ki Aiye”, (originally available by Bade Ghulam Ali Khan,) followed. He additionally thankful the ask from the assembly as great as completed the bhajan.

Amidst the dictatorial performances, the a single hapless agreement was the acoustics. The receptive to advice complement fell reduced of the peculiarity compulsory to await the unison such as this. The concert, yet billed as an ‘international’ eventuality featured usually dual countries. A some-more great pretension for the eventuality could have combined some-more definition to the evening, which in all alternative apply oneself was an beguiling the single for the audience.

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